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Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Saturday, 21 June 2025

Global campaign to repatriate looted cultural relics gains momentum as voices demand justice, heritage restitution

 

Artifacts on display during a bronze repatriation ceremony in Abuja, the capital of Nigeria on December 20, 2022. Photo: VCG

Cultural artifacts are more than historical remnants; they embody the spirit of a nation and a civilization. 

In recent years, some countries have not only stepped up cultural preservation efforts, but also worked actively to recover artifacts looted during colonial times. Recently, the Global Times interviewed officials in Egypt and Nigeria, as well as representatives from civil groups in Japan and other countries, to learn how those looted treasures are making their way home.

'We cannot leave this to the next generation'

On June 14, 2025, Japanese civic organization Chinese Cultural Relics Return Movement Promotion Association hosted a public lecture in Tokyo that focused on Japan's wartime archaeological activities and cultural relics looted from China and called for the return of looted cultural relics and the reconstruction of related academic ethics, according to the Xinhua News Agency.

Founded in 2021, the civic group seeks to push for the return of relics taken during the First Sino-Japanese War, also known as the Jiawu War (1894-95), the Russo-Japanese War (1904-05) and the War of Resistance against Japanese Aggression (1931-45).

Keiichiro Ichinose, a Japanese lawyer and the group's founder, told the Global Times that returning these artifacts is a necessary reckoning with Japan's imperialist and colonial past.

In 2012, the Palace Museum in Beijing published a catalogue listing 15,245 rare Chinese cultural artifacts that entered Japan between the First Sino-Japanese War and the end of World War II in 1945. From 1931 to 1945, Japan looted 1,879 crates of Chinese cultural relics. The total number of items is incalculable, according to Xinhua.

Among these are several artifacts the association is specifically demanding be returned, such as three Chinese stone lions looted from Northeast China's Liaoning Province. Two of them are displayed outside the notorious Yasukuni Shrine, while the third is housed in the Tochigi Prefecture. Another item is the Chinese Tang Honglu well Stele of the Tang Dynasty (618-907), looted from Dalian, Northeast China's Liaoning Province, in 1908 and currently stored out of public view in the Fukiage Garden of Japan's Imperial Palace as "national property," according to Xinhua.

Ichinose told the Global Times that since March 2022, the association has been sending formal requests to the Yasukuni Shrine demanding the return of Chinese cultural property. It was not until May 18, 2023, that they secured their first - and so far only - meeting with shrine staff.

"That day, we spoke with the Yasukuni Shrine's general affairs director and section chief," Ichinose recalled. 

"We submitted a second request on July 26, 2023. On August 9, we received a response saying there were 'no developments to report at this time.'"

"Still, we submitted a third request on October 4, 2023. On October 18, we got a reply stating that Yasukuni had already 'expressed its stance' and would not offer another meeting," he said.

"At the same year, We sent a fourth petition on November 30, and received a reply on December 13, that was essentially a repeat of their previous response," Ichinose said. "Even when we presented new evidence, the shrine refused to comment. We will continue to press firmly to prevent them from thinking this issue can simply be ignored." 

The Chinese Tang Honglu well Stele is considered one of the most significant Chinese artifacts looted by Japan. Ichinose said the association had attempted to negotiate with the Imperial Household Agency through a Japanese lawmaker. However, when the supportive lawmaker lost his seat, talks stalled. The group is currently reaching out to other lawmakers in hopes of reviving the discussion.

Today, many Western countries are returning cultural artifacts looted during colonial times, but Japan shows a negative attitude. Ichinose pointed out this stems from the Japanese government's failure to fully reflect on its history of aggression and colonization. As a result, Tokyo has little intention of addressing these lingering historical injustices, including the return of looted artifacts.

According to him, the Chinese Cultural Relics Return Movement Promotion Association holds regular meetings every month to discuss future actions. Each year, it also organizes two major public gatherings calling on the Japanese government to return looted Chinese relics.

When the association was established in 2021, Ichinose found, very few Japanese people - apart from a handful of scholars - were even aware of Japan's looting of Chinese cultural property.

In recent years, as the group's efforts expanded, media attention increased, and more citizens began voluntarily participating in its events.

"Returning looted Chinese artifacts should have been resolved in the last century," Ichinose told the Global Times. "It keeps getting delayed. As Japanese citizens, we believe it's our responsibility to urge the government to act - we cannot pass this burden on to the next generation."

Return of a mummy head

On May 12, 2025, Egypt's Ministry of Foreign Affairs announced it had recovered 25 smuggled cultural relics of significant historical and artistic value following negotiations with the US, marking the country's latest success in reclaiming looted artifacts, Xinhua reported. 
Mohamed Ismail Khaled, secretary-general of Egypt's Supreme Council of Antiquities, told the Global Times that since 2014, Egypt has successfully retrieved more than 30,000 cultural artifacts.

"As someone who has long worked in the field of cultural repatriation, I know that behind every returned artifact lies the tireless effort and perseverance of many people. These relics are not just witnesses of history - they are essential components of our national cultural identity," he said.

In August 2024, three smuggled artifacts, which belong to the Late Period of Ancient Egypt (747-332 BC), were returned to Egypt from the Netherlands: a blue porcelain ushabti statue, part of a wooden coffin decorated with inscriptions of goddess Isis, and a head of mummy in a good state of preservation with remains of teeth and hair, the Egyptian Ministry of Tourism and Antiquities said in a statement, Xinhua reported.

Khaled said the figurine and coffin fragment were found inside an antique store in the Netherlands, and the Dutch and Egyptian authorities conducted necessary investigations that showed they were illegally smuggled from Egypt, reported Xinhua.

A Dutch individual handed over the mummified head, which he had inherited from a family member, to local authorities, according to AP News.

According to Egyptian media, Leiden University later conducted a chemical analysis of the resin preservatives on the mummified head. The composition matched mummies excavated in Alexandria from the same period, and the skull bore surgical perforations consistent with medical texts from Egypt's Ptolemaic Dynasty (305-30 BC). On this basis, Dutch authorities decided to return the mummy head to Egypt.

Although Egypt has made notable strides in recovering artifacts, Professor Alnajib Alabdulla from the Department of History at Cairo University told the Global Times that the repatriation process remains deeply challenging.

First, many relics were taken illegally decades or even centuries ago, and there is often little documentation or hard evidence, which severely hampers recovery efforts. Second, the legal systems and cultural policies of different countries vary widely, complicating negotiations. Lastly, some artifacts are now in private collections or on the auction market, making it extremely time- and resource-intensive to trace their provenance, according to Alabdulla.

Alabdulla said that Egypt plans to sign more bilateral agreements and long-term cooperation mechanisms on cultural protection and restitution. The country will also build a comprehensive digital database to document each artifact for easier identification and tracking.

Restoring African dignity

Recently, at the National Museum of Ethnology in Leiden, the Netherlands, a staff member wearing blue latex gloves carefully removed a priceless artifact from its display, gently placed it on a padded surface, and wrapped it in several layers of special protective paper. 

According to AFP, the item was a Benin Bronze, an invaluable artifact looted from present-day Nigeria more than 120 years ago. It is now being prepared for repatriation.

Rev. Anamah N.U.B, head of the Cultural Industries and Heritage at Nigeria's Ministry of Art, Culture, Tourism and the Creative Economy, told the Global Times that as an ancient African civilization, Nigeria has spent decades working to reclaim its looted cultural heritage.

Anamah said that in recent years, Nigeria's Ministry of Foreign Affairs has led the charge in recovering these treasures. 
As a result, countries such as the UK, the US, and Germany have already returned or committed to returning certain artifacts.

"However, some countries or institutions in possession of looted relics often show reluctance to return them," Anamah said. 

He said that these countries should not only return the artifacts but also pay reparations to the source nations, as they have benefited economically from these items over the past centuries.

As the global push for artifact repatriation gains momentum, not only governments but also civil organizations are playing a crucial role in driving the process forward.

One such organization is Open Restitution Africa, founded in 2020. It aims to reshape the global narrative to center African voices in heritage discourse.

Members of Open Restitution Africa shared extensive documentation with the Global Times, detailing the historical significance of various African artifacts, their illicit removal from the continent, and the current status of their repatriation efforts.

In 1830, the Véro brothers, French specimen makers, exhumed the remains of a warrior in what is now around Botswana and South Africa and turned the body into a display specimen. After changing hands several times, the remains were put on public display in 1916 at a museum in Spain, under the label "The Negro of Banyoles," according to the BBC. 

For decades, the exhibit went unchallenged - until 1991, when Alphonse Arcelin, a Haitian doctor of African descent, wrote to Banyoles authorities demanding the remains be returned for burial. 

His call was initially met with resistance from local politicians and the public. Following years of intense negotiations, the human remains were returned home in 2000.

According to the Open Restitution Africa, returning the remains of "The Negro of Banyoles" and ensuring a proper burial was vital - not only for restoring the dignity of the deceased but also for affirming the dignity of all the people of Africa.


Wednesday, 12 February 2025

AI Action Summit kicks off in Paris with aim of harnessing potential while improving governance

A man looks at his mobile phone as he walks past flags during Artificial Intelligence Action Summit at the Grand Palais in Paris on February 10, 2025. Photo: VCG

As the 2025 AI Action Summit begins in Paris, discussions surrounding AI are set against a backdrop of geopolitical tensions and high stakes for the future of global AI governance.


With the aim of addressing how to harness artificial intelligence's (AI) potential while enhancing AI governance, political and industry leaders from more than 100 countries gathered at the Grand Palais in Paris, France for the two-day AI Action Summit, which kicked off on Monday. 

The summit focuses on five major themes: Public Interest AI, Future of Work, Innovation and Culture, Trust in AI, and Global AI Governance. 

Chinese Vice Premier of the State Council Zhang Guoqing, US Vice President JD Vance, Canadian Prime Minister Justin Trudeau and European Commission President Ursula von der Leyen are among dignitaries attending the summit.

Indian Prime Minister Narendra Modi on Monday left for France to co-chair the AI Action Summit on Tuesday, along with French President Emmanuel Macron, India TV reported on Monday.

On the first day of the Summit, workshops and panels on a wide range of topics are scheduled, including "harnessing AI for the future of work", "privacy, cybersecurity and information integrity," "towards safe and trustworthy AI," and "reinforcing efficient, effective and inclusive global AI governance," according to the organizer's official website.

The Summit of Heads of State and Government will take place on Tuesday with a plenary session to be held at the Grand Palais with international participants to discuss the key common actions to take on AI. 

The first and second editions of the summit were held in UK in 2023 and South Korea in 2024, and were both named AI Safety Summit. Compared with previous editions of the summit, the title of the third edition has evolved beyond focusing merely on safety and on a more comprehensive action sphere, so that more attention has and should be given to the global development of AI, Zhu Rongsheng, an assistant researcher at the Center for Strategic and Security Studies, Tsinghua University, told the Global Times on Monday.

As US President Donald Trump tears up his predecessor's AI guardrails to promote US competitiveness, pressure has built on the European Union to pursue a lighter-touch approach to AI to help keep European firms in the tech race, Reuters reported on Monday. Some EU leaders including the summit's host, French President Macron, also hope flexibility will be applied to the bloc's new AI Act to help homegrown startups, said the report.


DeepSeek buzz

An article published on Monday by Associated Press titled "Trump's AI ambition and China's DeepSeek overshadow an AI summit in Paris," which claimed that geopolitics of AI would be in focus in the summit. 

Addressing concerns over China's DeepSeek, Macron said in a televised interview on public television channel France 2 that France has no plan to ban it at the moment. "I do not think that it's appropriate to ban a technology because of its country of origin," Macron said, adding that France does not share the US approach of restricting technologies due to its nationality while accepting others.

Indian media platform Policy Circle wrote on Monday that the AI Action Summit is particularly important for India, given recent developments in China. India cannot afford to lag behind and must take lessons from China's AI advancements, particularly in cost-effective model training, it said.    

China is embracing the AI transformation and is working hard to advance AI, said Chinese Foreign Ministry spokesperson Guo Jiakun on Monday, in response to extensive attention and heated discussion in the world over DeepSeek, noting that we have helped developing countries enhance capacity building, advocating that AI technologies should be open sourced and there should be greater accessibility to AI services so that the benefits of AI can be shared by all countries. 

However, Guo emphasized that we are against drawing lines along ideological difference, overstretching the concept of national security, or politicizing trade and tech issues. 


Different approach

The AP report said that "organizers are working on getting countries to sign a joint political declaration gathering commitments for more ethical, democratic and environmentally sustainable AI," adding that it is unclear whether the US would agree to such a measure. 

The US position might undermine any joint communique, said Nick Reiners, senior geotechnology analyst at the Eurasia Group. "Trump is against the very idea of global governance," Reiners said, per AP report.

French President Macron rejected an outright ban on Chinese AI, emphasizing careful evaluation based on sovereignty rather than origin. France will closely examine non-European technologies, ensuring they do not compromise security or sovereignty in critical sectors, Macron was quoted by Indian news outlet FirstPost as saying. Macron's stance reflects a desire to avoid isolationist policies like those seen in the US, promoting a more nuanced view of global technology, the report said. 

China's and Europe's starting points are to limit the disruptive impact of AI on human rules, while the US is focused on limiting challenges from China, which is a different approach, Wang Yiwei, a professor at the School of International Relations at Renmin University of China, told the Global Times on Monday. 

Zhu Rongsheng said that fierce competition between powers could undermine global cooperation, and as the US continues its zero-sum mentality in its pursuit of a bigger share of the market, cooperation would be very challenging in global efforts to jointly develop AI.

DeepSeek provides an opportunity to a broader range of countries and regions and advanced AI can be obtained with relatively low cost, and the model of open-source AI, with proper safeguards, is a practical approach on AI capacity building for good and for all, Zeng Yi, Professor of AI at Chinese Academy of Sciences and member of the United Nations AI Advisory Body, told the Global Times.

The world is big and inclusive enough to have more countries contributing fundamental and pioneering research, as well as industrial applications of AI for global public good, Zeng said.  

The integration of AI with industries can unleash tremendous productivity, providing the foundational support and effective empowerment necessary for the liberation of productive forces. In an ideal scenario, this would drive a global effort toward this direction. Otherwise, it could exacerbate the wealth gap, lead to AI exploitation, create new technological oligarchs and power elites, and undermine the general safety and development of countries, widening the gap between countries and between different groups within a country, leading to a new intelligence divide, Shen Yi, a professor at Fudan University, told the Global Times. 

Diving into DeepSeek and AI for education; OpenAI targets higher education in the U.S. with ChatGPT rollout at California State University




Wednesday, 29 January 2025

Chinese across the world, celebrate Spring Festival with traditions, travels and shopping spree, since its inclusion into the UNESCO intangible cultural heritage list.

 

Chinese New Year offers window on nation's economic vitality

Tourists pose for a selfie at a flower market in Yuexiu District, Guangzhou, south China's Guangdong Province, Jan. 27, 2025. China is alive with vibrant celebrations with the Spring Festival just around the corner. (Xinhua/Deng Hua)

Tourists pose for a selfie at a flower market in Yuexiu District, Guangzhou, south China's Guangdong Province, Jan. 27, 2025. China is alive with vibrant celebrations with the Spring Festival just around the corner. (Xinhua/Deng Hua)


With traditional fairs and shopping and travel booms over this year's extended holiday, China is about to ring in the Spring Festival of the Year of the Snake, the first since its inclusion into the UNESCO intangible cultural heritage list.

For Chinese across the world, the Spring Festival is a time for family reunions, festive traditions, holiday shopping and diverse cultural and tourism activities. This year, it falls on Jan. 29 with hundreds of millions of people traveling to reunite with families in the world's largest annual human migration.

Celebrations today highlight both traditional and modern elements, from temple fairs, lantern displays, lion dances and intangible cultural heritage bazaars to village galas, light and drone shows, museum exhibitions, and travels at home and abroad.

This year, festive glee and activities are further boosted by the UNESCO recognition, pro-consumption policies and the extension of the traditional seven-day holiday by an extra day.

FAMILY REUNIONS AND TRADITIONAL FESTIVITIES

For migrant workers like Zhang Changfu, a native of Baise in Guangxi Zhuang Autonomous Region, south China, the Spring Festival offers a rare opportunity for a family reunion.

"I've been working away from home for 20 years, but I return home every Spring Festival," said Zhang, 41, who works as a machinist in the southwestern metropolis of Chengdu, adding that he is looking forward to taking his family to the local temple fair.

The temple fair, a panoply of folk performances, local delicacies and traditional handicrafts, is a familiar sight at this time of year. While such activities contain more traditional elements in the countryside, large cities like Beijing and Shanghai have a tradition of holding large-scale fairs.

For others, like Lin Jia who works in Nanjing, capital of east China's Jiangsu Province, Spring Festival is the perfect time for a family tour. Lin's parents and grandmother have traveled from Hunan Province to join her for the holiday.

Lin plans to take them sightseeing around the city after a New Year's Eve dinner at a hotpot restaurant. "It's both a reunion and a mini vacation," she said.

This year, many cities are holding more traditional festive activities, motivated by the inscription of the Spring Festival on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity in December. The southwestern megacity of Chongqing has planned more than 100 intangible cultural heritage exhibitions, bazaars and performances during the holiday.

"We hope visitors can feel the strong festive ambiance and the special charm of our cultural heritage," said Tang Mao, the organizer of a cultural heritage bazaar in Chongqing's bustling Jiefangbei commercial area, where over 40 artisans display traditional crafts like paper-cutting, New Year picture drawing and sugar-figure making.

HOLIDAY SHOPPING

For centuries, shopping has been a crucial part of Spring Festival preparations: from nice food to new clothes and carefully chosen gifts.

Liu Fengmei, a woman in her 70s in Shanghai, traveled over an hour by subway to First Foodhall, a time-honored food store on the iconic Nanjing Road, to stock up on traditional holiday snacks.

A long queue is seen outside the store, which, like many across the country at this time of the year, is filled with festive decorations and a dazzling array of traditional foods.

Following the UNESCO recognition, Chinese consumers also appear to be particularly interested in goods with a cultural festival flair.

Li Gang with the Ministry of Commerce said sales of neo-Chinese-style jewelry and goods featuring intangible cultural heritages have grown by 52.6 percent and 26.6 percent in the month-long online shopping event for the festival initiated by the ministry.

In recent years, the Spring Festival shopping lists have included more imported goods, reflecting Chinese people's rising purchasing power and growing appetite for imported quality goods.

Earlier this month, a cargo ship loaded with 20,000 tonnes of Chilean cherries arrived at the Nansha Port in south China's Guangzhou, perfectly timed to offer a festive treat for millions ahead of the Spring Festival.

"Chilean cherries, Australian lobsters and Russian snow crabs ... the prices of imported products are quite attractive, so I plan to prepare a New Year's Eve dinner that blends both Chinese and foreign flavors," said a customer surnamed Guo at a store of fresh-food chain Freshippo in Beijing.

Driven by government-subsidized trade-in programs, mobile phones, wearable devices, and green and smart home appliances are also highly sought-after items ahead of the festival, according to the ministry.

"Spending on New Year's goods can offer a glimpse into the resilience and vitality of consumption throughout the year," said Hong Tao, director of the Institute of Business Economics at Beijing Technology and Business University, who expects a new wave of holiday consumption growth.

HOLIDAY TRAVEL

In addition to local festivities, many are venturing farther afield to make the most of the eight-day Spring Festival holiday.

Fang Xue, a resident of Shanghai, plans to take her parents on a holiday trip to Shantou, a coastal city in Guangdong Province. "Traveling during the Spring Festival has become quite fashionable," Fang said. "My parents in their 80s are very eager to travel."

The extended holiday has given a boost to the travel industry. While tourist cities such as Shanghai, Beijing, Guangzhou, Hangzhou and Chengdu are attracting large numbers of holidaymakers, smaller cities are also getting more travelers who wish to savor celebrations with local flavors, according to Fliggy, a leading online travel agency.

"Expectations for intangible cultural heritage activities are especially high during the first Spring Festival after the UNESCO recognition," said Wang Liyang, operations manager at Fliggy.

Thanks to China's further easing of visa policies, many Chinese cities are also witnessing an influx of international visitors, with many eager to experience the festival traditions.

"The UNESCO heritage status gives Spring Festival worldwide recognition and increases its appeal to international tourists," said Zhou Huijie, an analyst at Trip.com research institute.

Trip.com Group has estimated that inbound bookings would jump by 203 percent during the Spring Festival, with tourists from the Republic of Korea, Malaysia, Singapore, Japan, the United States, Australia, Thailand and Britain topping the list.

Lukas Muller from Germany is traveling in northeast China's Jilin Province for skiing and to experience the Spring Festival.

"My friends and I will experience Chinese New Year up close, including eating dumplings, putting up spring couplets, setting off fireworks, and many other customs I'm not familiar with yet," he said, also praising China's visa-free policy that facilitated his trip.

Spring Festival serves as the most direct cultural window to understand the Chinese people and it is also a traditional festival with the most Chinese cultural characteristics, said Feng Jicai, a renowned Chinese writer who has long championed intangible cultural heritage protection.


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Sunday, 18 February 2024

Guan Gong for integrity, and bravery, respected for loyalty and righteousness


 
The 24th day of the 6th lunar month is the actual birthday of Guan Gong

Guan Gong (also known as Guang Yu, Kuan Kong, Kuan Ti, Guan Ti or Guan Di), is a powerful Taoist immortal, a historical Bodhisattva in Buddhism and also revered in Confucianism.
The Buddhist worship of Guan Gong as Sangharama Bodhisattva is also practiced in some Theravada Buddhist temples. The Taoist also worship Guan Yu as the God of Literature. In Vietnam’s Cao Dao religion Guan Gong is one of the pantheons.
It is said Guan Gong is the keeper of all good people and the fighter of those who intend to hurt them or cause them a problem of any kind. He protects people from being robbed, assaulted and from all kinds of crimes in general.
As the God of War, he is the head of all protecting warriors, the god who commands all those who fight evil. Guan Gong is often depicted in paintings and sculptures. Sometimes with his two sworn brothers, Liu Bei and Zhang Fei, by his side.
Statues of Guan Yu on the Altar used by triads tend to hold the saber on the left hand, and statues in police stations tend to hold the saber on the right hand. The notion of brotherhood, god of loyalty, has been appropriated by triads to emphasize the group identify and brotherhood of triad membership.
As a General, Guan Yu was well known for his integrity, and bravery. As an individual, he was respected for his loyalty and righteousness.
According to Buddhist legends, Guan Yu manifested himself one night, In 592, before Ch'an Master Zhiyi, the founder of the Tiantai school of Buddhism, along with a retinue of spiritual beings.
Zhiyi was then in deep meditation on Yuquan Hill when he was distracted by Guan Yu's presence. Guan Yu then requested the master to teach him about the dharma.
After receiving Buddhist teachings from the master, Guan Yu took refuge in the triple gems and also requested the Five Precepts. From that time on, it is said that Guan Yu made a vow to become a guardian of temples and the dharma.
Legends also claim that Guan Yu assisted Zhiyi in the construction of the Yuquan Temple, which still stands today.
Later in the year, the thirteenth day of the ninth lunar month, is the day when Guan Gong was apotheosized. The ceremonies on these two days are identical.
It is popularly believed that if it rains on these days, it happens because Guan Gong is wetting the whetstone on which he sharpens his long-hilt sabre. The rain presages the well-being of the people.
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Guan Gong Culture

Guan Yu (关羽) was a historical person who lived in China during the Three Kingdoms period, (三国) (CE 220-CE 280).

Historical background

Towards the end of the Han dynasty (汉朝), the emperor had been reduced to a nominal ruler. Powerful clans and court officials fought against each other to become the power behind the throne. Meanwhile, disenfranchised peasant began series of uprising. The most severe of these movements was the Yellow Turban Rebellion (黄巾起义).

As the political disintegration intensified, regional warlords were no longer contented to be the power behind the throne. They aspired to be rulers of their own empire. Nevertheless, others remained loyal to the Han dynasty and sought to restore the power of the Han Emperor.

Guan Yu belonged to the group who aspired to restore the Han Dynasty. He had met two other persons with the same ideal; Liu Bei, (刘备)a distant member of the Han royal family and Zhang Fei (张飞). They became sworn brothers at the Peach Garden (桃园结义) and vowed to work together towards the revival of the Han Dynasty. Liu Bei was the eldest of the three brothers; Guan Yu was the second brother and Zhang Fei the youngest.

When the regional powers Cao Cao (曹操) and Sun Quan (孙权) proclaimed themselves Emperors Wei (魏) and Wu (吴), Liu Bei declared himself the Emperor of Shu (蜀) with the aim of restoring the Han dynasty, often referred to as Shu-Han (蜀汉). With this development, Chinese history entered the Three Kingdoms Period, (三国时代) a political scene that lasted for 60 years from CE 220 to 280.

As a General, Guan Yu was well known for this integrity, and bravery. As an individual, he was respected for his loyalty and righteousness. During a battle with Wu forces, Guan Yu was captured and beheaded.

Guan Gong culture

After his death, General Guan Yu became the embodiment of loyalty, righteous, bravery and benevolence(忠义勇仁) . Guan Yu’s brotherhood pact with Liu Bei and Zhang Fei provides strong imagery and symbolism for friends to look after each other in times of hardship. This idea offered motivation and role model for Chinese migrants when they arrive in their host society.

His popularity and the respect he commanded are reflected by the list of posthumous honors bestowed on him by subsequent emperors. During the Ming dynasty, Wu Cheng En wrote the novel San Guo Yan Xi (三国演义), Romance of the three Kingdoms, using the Three Kingdoms period as a backdrop and immortalized Guan Yu and his sworn brothers.

The Taoist worshipped Guan Yu as the god of literature、god of war and Martial God of Wealth and is referred to as Guan Gong (关公), Guan Di (关帝) and as a sign of respect. There are also spirit mediums or Tangkis who can manifest the spirit of Guan Yu.

In southern China and overseas Chinese community in Taiwan and South East Asia, Guan Gong is also manifested via spirit mediums.

The Chinese Buddhist regarded him as Sangharama Bodhisattva (伽蓝菩萨). As Sangharama Bodhisattva, Guan Gong is usually found in the Bell Tower of forest style Chinese Mahayana Buddhist Monastery. In the Hokkien temple Thian Hock Keng in Singapore, Guan Gong can be found both in his Taoist and Buddhist form. 

Representations of Guan Gong

Guan Gong is often depicted in paintings, sculptures and many art forms. When he is depicted with his sworn brothers, Liu Bei as the eldest brother is seated with Guan Gong and Zhang Fei by his side.

If Guan Gong is the central figure, his two assistants, Guan Ping (关平) and Zhou Cang (周仓) stand by his side.

He is also represented alone either standing with a saber or seated and at times reading. In many temples, a sculpture of his horse can usually be found.

Globalization of Guan Yu culture

Many overseas Chinese communities worship General Guan Gong and dedicated temples or set up altars in his memory. Such practices reflect the importance these communities placed on social solidarity and the need for mutual support in a foreign land. The notion of brotherhood has also been appropriated by triads to emphasize the group identify and brotherhood of triad membership.

The Buddhist worship of Guan Gong as Sangharama Bodhisattva is also practiced in some Theravada Buddhist temples and Guan Gong is also one of the pantheons in Vietnam’s Cao Dao religion.

The history and continuous popularity of Guan Gong reflects the collective ideals of the Chinese over time and how these ideals are manifested as they migrate overseas. Among the overseas Chinese community, the temples dedicated to Guan Gong also demonstrated how the traditional social ideals provided a model for migrants as they leave their homeland to seek opportunities. At the same time, Guan Gong’s appearance in Theravada cultures and Cao Dao in Vietnam also reflect the universality in the values he embodies.

 

 

 

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Guan Gong Culture


Guan Gong Culture

Guan Yu (关羽) was a historical person who lived in China during the Three Kingdoms period, (三国) (CE 220-CE 280).

Historical background

Towards the end of the Han dynasty (汉朝), the emperor had been reduced to a nominal ruler. Powerful clans and court officials fought against each other to become the power behind the throne. Meanwhile, disenfranchised peasant began series of uprising. The most severe of these movements was the Yellow Turban Rebellion (黄巾起义).

As the political disintegration intensified, regional warlords were no longer contented to be the power behind the throne. They aspired to be rulers of their own empire. Nevertheless, others remained loyal to the Han dynasty and sought to restore the power of the Han Emperor.

Guan Yu belonged to the group who aspired to restore the Han Dynasty. He had met two other persons with the same ideal; Liu Bei, (刘备)a distant member of the Han royal family and Zhang Fei (张飞). They became sworn brothers at the Peach Garden (桃园结义) and vowed to work together towards the revival of the Han Dynasty. Liu Bei was the eldest of the three brothers; Guan Yu was the second brother and Zhang Fei the youngest.

When the regional powers Cao Cao (曹操) and Sun Quan (孙权) proclaimed themselves Emperors Wei (魏) and Wu (吴), Liu Bei declared himself the Emperor of Shu (蜀) with the aim of restoring the Han dynasty, often referred to as Shu-Han (蜀汉). With this development, Chinese history entered the Three Kingdoms Period, (三国时代) a political scene that lasted for 60 years from CE 220 to 280.

As a General, Guan Yu was well known for this integrity, and bravery. As an individual, he was respected for his loyalty and righteousness. During a battle with Wu forces, Guan Yu was captured and beheaded.

Guan Gong culture

After his death, General Guan Yu became the embodiment of loyalty, righteous, bravery and benevolence(忠义勇仁) . Guan Yu’s brotherhood pact with Liu Bei and Zhang Fei provides strong imagery and symbolism for friends to look after each other in times of hardship. This idea offered motivation and role model for Chinese migrants when they arrive in their host society.

His popularity and the respect he commanded are reflected by the list of posthumous honors bestowed on him by subsequent emperors. During the Ming dynasty, Wu Cheng En wrote the novel San Guo Yan Xi (三国演义), Romance of the three Kingdoms, using the Three Kingdoms period as a backdrop and immortalized Guan Yu and his sworn brothers.

The Taoist worshipped Guan Yu as the god of literature、god of war and Martial God of Wealth and is referred to as Guan Gong (关公), Guan Di (关帝) and as a sign of respect. There are also spirit mediums or Tangkis who can manifest the spirit of Guan Yu.

In southern China and overseas Chinese community in Taiwan and South East Asia, Guan Gong is also manifested via spirit mediums.

The Chinese Buddhist regarded him as Sangharama Bodhisattva (伽蓝菩萨). As Sangharama Bodhisattva, Guan Gong is usually found in the Bell Tower of forest style Chinese Mahayana Buddhist Monastery. In the Hokkien temple Thian Hock Keng in Singapore, Guan Gong can be found both in his Taoist and Buddhist form. 

Representations of Guan Gong

Guan Gong is often depicted in paintings, sculptures and many art forms. When he is depicted with his sworn brothers, Liu Bei as the eldest brother is seated with Guan Gong and Zhang Fei by his side.

If Guan Gong is the central figure, his two assistants, Guan Ping (关平) and Zhou Cang (周仓) stand by his side.

He is also represented alone either standing with a saber or seated and at times reading. In many temples, a sculpture of his horse can usually be found.

Globalization of Guan Yu culture

Many overseas Chinese communities worship General Guan Gong and dedicated temples or set up altars in his memory. Such practices reflect the importance these communities placed on social solidarity and the need for mutual support in a foreign land. The notion of brotherhood has also been appropriated by triads to emphasize the group identify and brotherhood of triad membership.

The Buddhist worship of Guan Gong as Sangharama Bodhisattva is also practiced in some Theravada Buddhist temples and Guan Gong is also one of the pantheons in Vietnam’s Cao Dao religion.

The history and continuous popularity of Guan Gong reflects the collective ideals of the Chinese over time and how these ideals are manifested as they migrate overseas. Among the overseas Chinese community, the temples dedicated to Guan Gong also demonstrated how the traditional social ideals provided a model for migrants as they leave their homeland to seek opportunities. At the same time, Guan Gong’s appearance in Theravada cultures and Cao Dao in Vietnam also reflect the universality in the values he embodies.

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